The media created Kamala Harris.
And a creator will know their creation’s strengths and weaknesses.
Now Megyn Kelly revealed the one thing that scares the media the most about Kamala Harris.
Media panic about Kamala Harris sets in
Prior to taking over for Joe Biden, polls showed Kamala Harris with an approval rating in the 30s.
Kamala Harris was the most unpopular Vice President in the history of polling.
But when Democrats swapped her out for Joe Biden, a switch flipped and an unprecedented media glow-up took place to present Kamala Harris as an iconic figure who was suddenly cooler than Barack Obama and more inspiring than Ronald Reagan.
Megyn Kelly explained to listeners that this new Kamala Harris was a complete fiction created out of whole cloth by Hollywood talent agencies, such as entertainment powerbroker CAA, and A-list celebrities who worked with Kamala on her acting skills.
“It’s one of those things like you see in Hollywood . . . where some studio decides they’re going to make an image around somebody . . . The same thing is happening with her [Kamala], where they all include the Hollywood angle . . . Halperin was the one who reported that CAA, one of the most powerful agencies in the country, was actually in there, advising her, before the DNC, along with some A-list Hollywood talent trying to explain her, this is how you say the line,” Kelly stated.
The Kamala Harris mirage couldn’t last forever
But Kelly said the charade collapsed when Kamala Harris had to venture outside of scripted environments and show up for interviews like 60 Minutes.
Working without a net exposed Kamala Harris as someone completely incapable of thinking or speaking for herself, as she couldn’t answer basic questions about how she would pay for her socialist welfare programs or why she opened the border to millions of illegal aliens.
“This is what you should do. And I bet they were back before that debate giving her some help with her rehearsed little bits she was doing. And yet, unlike a Hollywood star who doesn’t actually have to go out there and sit on 60 Minutes or these other moronic podcasts, like the one that talks about dildos one day and Kamala Harris as president the next Kamala Harris does have to get out there,” Kelly added.
“She does have to get out there because she tried the basement campaign. It was failing. They felt they had to do something. And so now we’re getting to see the person behind the curtain, and that Hollywood veneer is not strong enough to stop her inanity from shining through . . .” Kelly continued.
And that’s what terrified the media, Kelly explained.
Without the ability to exercise 100 percent control over Kamala Harris’ message and presentation to voters, Kamala Harris had to stand on her own two feet.
Kelly compared Kamala Harris to Milli Vanilli, the late 1980s duo that won a Grammy for Best New Artist only to get exposed as frauds when it came out that they lip-synced songs that someone else sang.
“The panic . . . amongst these left-wingers about the loss of control of information is evident every day in the interviews that they give. They’re not even trying to hide their panic . . . Today it’s closer to Milli Vanilli, where they put them out there and they mouthed the right words, and they had the right outfits, and they learned the steps, but before too long, we realized they actually had no talent. This was all a facade. There was no there, there,” Kelly concluded.
